TROJAN CHRISTMAS BOX SET (TJETD142) - OK everybody - time to sing a Christmas song!
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Don't worry, we're not going to call upon the services of freindsreunited.com. In fact, I'm sure you'll be pleased to learn that we have a line-up of Jamaica's finest, including the legendary Jacob 'Killer' Miller, the albino superstar, King Yellowman, the celebrated Tamlins and the illustrious John Holt., alongside a host of other Supas! And now that you've unwrapped this Christmas box, let's unwrap a few details about the singers and players of instruments whose talents provide a perfect soundtrack to the holiday season.
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Our first Christmas song in reggae demonstrates the fine tenor and trademark stammer of the late lamented Jacob Mathias Miller, who, with the Lewis brothers Ian and Roger, (still lovingly known as the Fat Man Riddim Section), recorded the album 'Natty X-mas' in 1978. Jacob joined the duo as part of the Inner Circle line-up, although at the same time he continued performing as a soloist with the group's support.
The DJ, Ray I, who was clearly influenced by U Roy sound-alike, U Brown, joined the sessions to perform the classic 'Amharic Temple' on Jacob's Reggae cut of 'We Wish You A Merry Christmas'. The DJ also performed alongside Jacob for the Rastafarian-tinged, 'All I Want For Ismas', as well as 'Silver Bells' and 'Deck The Halls', adding a little Christmas spice to the proceedings.
Ray I recorded the Jamaican released albums 'Visions' with the Fat Man Riddim Section and 'Rasta Revival' with Derrick Harriott before he returned to relative obscurity, while his singing partner's career prospered. The final contribution from Jacob's 'Natty X-mas' LP is his solo cut of the 'Twelve Days Of Istmas'. Sadly, two years after the release of the album, just as Jacob and the Inner Circle were breaking into the mainstream, the singer was killed in a car crash. This tragedy led to the group temporarily disbanding, but following a suitable period of mourning, the band reunited and fifteen years after these these classic Christmas hits were recorded, crossed over into the mainstream with 'Sweat (A La La La La Song)' and 'Bad Boys' the latter having been picked up as the theme to the popular Fox television series, 'Cops'.
Founding Black Uhuru singer, Don Carlos is next up to the mic with 'Jingle Bells', performed alongside Glenice, whose vocals compliment the sublime style of the aptly named Don (Gorgon). Carlos released a series of popular albums, notably 'Just A Passing Glance' and 'Ghetto Living', the latter being recorded inna combination style with Gold, whose 'nom de disc' is a reference to his sun bleached locks. From the then-named sing-jay style of Don Carlos, we step back in time to the mid-sixties, when the Granville Williams Orchestra cut a stunning Ska version of the Christmas standard 'Santa Claus Is Ska-ing To town', featuring vocal refrains courtesy of the Leaders.
While Granville and friends were Ska-ing to town, the DJ superstar, Yellowman was having a tough upbringing in the streets of Kingston. Having been labelled 'dundas', a reference to his pigmentation that led him to being treated as an outcast, he eventually managed to turn this encumbrance into a phenomenal success and in the early eighties, he went from social pariah to a god like status and Jamaican producers were quick to identify his commercial success. While he released a plethora of albums throughout the eighties, he maintained his popularity into the nineties when he released the festive 'A Very, Very Yellow Christmas', which preceded his sessions with the perfect gentleman, Wyclef Jean. The first track lifted from Yellow's Christmas set features the DJ bemoaning the fact that 'Santa Clause Never Comes To The Ghetto', but he later livens things up with 'Yellowman Rock', a variation on Bobby Helms' Rock & Roll classic, 'Jingle Bell Rock'. DJs were at one time referred to as toasters and utilising the Mighty Diamonds hit, King Yellow proposes a toast to an 'African Christmas', before hitting us with 'This Christmas', alongside a Jamaican version of 'Tis The Season (Deck The Halls)' and rendering of Mel Torme's 'The Christmas Song', re-titled as 'Breadfruit Roasting On An Open Fire'.
John Holt needs no introduction, having led the Paragons through some classic Rocksteady hits before enjoying a high profile with his 'Thousand Volts' series of albums and that legendary Top 10 hit in 1974, 'Help Me Make It Through The Night'. His skill at injecting new life into other songs is clearly demonstrated with tracks lifted from the long-since deleted ';The Reggae Christmas Hits Album' (TRLS 230). This Bunny Lee produced set included a spectrum of hits including our featured tracks, Elvis Presley's 'Blue Christmas', Bing Crosby's 'White Christmas' and Wham's 'Last Christmas'. Other versions from the 1986 album that we have featured include Reggae-fied renderings of John Lennon's 'Happy Christmas (War Is Over)', Mud's 'Lonely Christmas', Slade's 'My Oh My' and another version of 'Santa Claus Is Coming To Town', no doubt inspired by the Crystals 1963 hit version. Our final contribution from John's 'Reggae Christmas Hits Album' is 'When A Child Is Born', a song made famous by the first Jamaican superstar, Harry Belafonte that subsequently inspired Johnny Mathis and Boney M to record their chart topping versions. From John Holt, we move on to the Ethiopians performing the rare 'Ding Dong Bell', having recorded the more familiar 'Reggae Hit The Town' and 'Fire Deh A Mus Mus Tail' at the same session towards the tail end of 1968.
In the mid-seventies, Trinity (Junior Brammer) recorded a series of DJ hits, having notably provided Althia & Donna with the foundation to their number one hit, 'Uptown Top Ranking'. He had initially found success as a singer with the song, 'Telephone Line', produced by the UK-based John Dread, prior to linking up with Sly and Robbie to record the title track of our first disc, 'It's Christmas Time Again'. He later embarked on a singing career and performed under the name of Junior Brammer.