In the mid-seventies, Trinity (Junior Brammer) recorded a series of DJ hits, having notably provided Althia & Donna with the foundation to their number one hit, 'Uptown Top Ranking'. He had initially found success as a singer with the song, 'Telephone Line', produced by the UK-based John Dread, prior to linking up with Sly and Robbie to record the title track of our first disc, 'It's Christmas Time Again'. He later embarked on a singing career and performed under the name of Junior Brammer.

Moving on, the keyboard wizard Pablo Black covers the traditional Christmas carol, 'Silent Night' in his own distinctive way before Johnny Clarke covers the evergreen festive favourite, 'I Saw Mommy Kissing Santa Clause'. In 1971 Sonny Bradshaw and his Seven recorded their atmospheric version of 'Little Drummer Boy', the tune of which inspired Nora Dean's risqué 'Wreck A Buddy' that can be found on Trojan's suitably titles 'X Rated Boxed Set' (TJETD 048).

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The vocal styling of our final featured artists, the Tamlins, was enhanced through sessions with Sly & Robbie, who produced the group's classic 'Baltimore' (that topped the Jamaican chart for twelve weeks), as well as their unique interpretations of Wham's 'Last Christmas', the Jackson Five's 'Give Love On Christmas Day' and the Irving Berlin standard, 'White Christmas'.

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Peter Broggs is a Rastafarian singer and songwriter who, under the guidance of Washington-based Dr. Dread, recorded several roots albums including 'Rastafari Liveth', 'Cease The War' and 'Reasoning'. in addition to his classic albums he also recorded a one off special, 'The Twelve Days Of Christmas' and a cameo in the Ras All Stars for inclusion on the album 'Ras Records Presents A Reggae Christmas', initiated by the self appointed doctor.

Lee 'Scratch' Perry closes the first disc in our yuletide celebrations with the suitably titled 'Merry Christmas And A Happy New Year' that he recorded alongside Sandra Robinson in the UK shortly before he relocated to a winter wonderland in Switzerland.

Onto the second disc and the first artist not already discussed thus far is Alton Ellis who has maintained a lengthy career as the Godfather of Reggae and is quite rightly regarded with nuff, nuff respect. His contribution to this set is 'Merry Merry Christmas' that he produced, wrote and recorded, backed by the Lipsticks, in 1972.

In the mid-seventies, Beres Hammond recorded with Zap Pow before concentrating on a solo career in 1980. He had to wait ten years before his career really took off through Donovan Germaine's Penthouse productions and by this time he teamed up with Sly & Robbie to record his version of 'The Christmas Song', he had most definitely become hot property. Almost twenty years earlier, the Maytals recorded alongside Warwick Lynn, who maintained the group's popularity following the demise of their producer Leslie Kong in 1971. Among the rarer recordings cut for Lynn is their 1972 single, 'Happy Christmas (The Christmas Song)', that appears here for the first time on CD.

The aforementioned Mr Kong was not averse to recording Christmas hits himself and in 1963 released the fittingly titled 'Merry Christmas' and the promotional, 'Greetings From Beverley's', both of which featured vocalist, Frank Cosmo, who is best remembered for the Ska hits, 'My Days Are So Lonely' and the jaw-droppingly good 'Pack Up Your Troubles'. Kong also produced a yuletide hit for his number one export, Desmond Dekker, whose composition, 'Christmas Day' features the singer/songwriter performing alongside his trusty Aces.

Another distinctively 'u-neek' performer is Ripton Hylton aka Eek A Mouse, whose 'biddly bong deh' catchphrase led to both a host of impersonators and the DJ giant becoming a serious contender for Yellowman's crown. Here the six-foot DJ, who took his name from a Jamaican racehorse, performs 'The Night Before Christmas' that was recorded before he embarked on an acting career, having secured a role in the movie 'New Jack City'.

Jamaican DJs are often celebrated for their physical peculiarities - Yellowman is the yellow-ist and Eek A Mouse the tallest, but the man with the most unenvied reputation of them all is undoubtedly King Stitt. The self-proclaimed 'Ugly One', Stitt was feted as Clement 'Coxsone' Dodd's number one soundman back in the early sixties and was around for over thirty years before proving he was by no means a spent force with 'Small Axe', recorded with Buju Banton in 1997. Some 27 years earlier, he had blazed the way for DJs on disc with a number of groundbreaking Clancy Eccles-produced hits, such as 'Fire Corner', 'Herbsman Reggae' and the rare but inimitable 'Christmas Tree'.

Another of Coxsone's protégés, Freddie McGregor began performing alongside the Clarendonians when he was only seven years old and later enjoyed a high profile as a soloist at Studio One before branching out and inaugurating his own Big Ship label. Soon after, he licensed his product to RAS, who released the crossover hit 'Push Come To Shove' before issuing his versions of 'O Come All Ye Faithful' and 'Feliz Navidad' - the latter made famous by Jose Feliciano. Freddie's unusual choice was probably influenced by his earlier success with another Spanish-tinged cover, 'Guantanamera' that was released before he charted with 'Just Don't Want To Be Lonely', which he recorded for Donovan Germaine at his Penthouse studios.

In 1968 Bunny Lee produced the timeless 'Peace On Earth', featuring Hopeton Lewis, alongside the underrated Primo Davidson, who faded into anonymity soon after the release of the single back in December 1968.

On disc three we meet yet more Studio One discoveries, namely 'Papa' Michigan Fairclough and 'General Smiley' Bennett, who give us their interpretation of 'Little Drummer Boy'. The duo burst on the scene with a version of the Alton Ellis hit 'I'm Just A Guy', which they recorded as 'Rub A Dub Style' and the infectious 'Diseases', cut for the late Henry 'Junjo' Lawes.

In the late sixties and early seventies, the Jackie Bernard-led Kingstonians enjoyed success with a number of Derrick Harriott-produced hits, most notably including 'Sufferer' and 'Singer Man', but they had previously recorded a series of praiseworthy sides for Karl 'J.J.' Johnson, including the Rocksteady-styled 'Merry Christmas' that first saw issue in 1967.

June (JC) Lodge is noted for topping the charts in the Netherlands with her version of Charley Pride's 'Someone Loves You Honey' that, along with Freddie McGregor's 'Just Don't Want To Be Lonely' features on the platinum-selling 'Reggae Love Songs' collection (TDSAN 001). She later found success with 'Telephone Love', produced by Augustus 'Gussie'; Clarke, before joining the RAS posse. A series of albums followed, along with her Christmas special, 'Joy To The World'. She continued to record into the millennium and recently hit with the Danny Ray-produced 'Reggae Country'.

Our final two Jamaican Christmas stylee hits date back to the sixties. The first of these is Reuben Anderson's original 1967 version of 'Christmas Time Again', a song that was of course later revived to great effect by Junior Brammer (Trinity) - see disc one. The final recording is in fact the earliest, dating from around 1960 - the Rhythm Aces' 'The Meaning Of Christmas'. The song was revived some 26 years later by its writer and former Rhythm Aces front-man, Boris Gardiner, following his UK pop chart hits 'I Wanna Wake Up With You' and 'You're Everything To Me'.

So there you have it - fifty real authentic sounds of a Jamaican-stylee Christmas, guaranteed to enliven any yuletide celebrations. So rewind mi selector 'cos it's going to be a Merry Reggae Christmas and hopefully a skankingly Good New Year!

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Stephen Nye